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Beginnings: Intention and Method, by Edward W. Said
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A "beginning," especially as embodied in much modern thought, is its own method, Edward Said argues in this classic treatise on the role of the intellectual and the goal of criticism. Distinguishing between "origin," which is divine, mythical, and privileged, and "beginning," which is secular and humanly produced, Said traces the ramifications and diverse understandings of the concept of beginning through history. A beginning is a first step in the intentional production of meaning and the production of difference from preexisting traditions. It authorizes subsequent texts―it both enables them and limits what is acceptable.
Drawing on the insights of Vico, Valery, Nietzsche, Saussure, L�vi-Strauss, Husserl, and Foucault, Said recognizes the novel as the major attempt in Western literary culture to give beginnings an authorizing function in experience, art, and knowledge. Scholarship should see itself as a beginning―as a uniting of theory and practice. Said's insistence on a criticism that is humane and socially responsible is what makes Beginnings a book about much more than writing: it is about imagination and action as well as the constraints on freedom and invention that come from human intention and the method of its fulfillment.
- Sales Rank: #1024527 in Books
- Published on: 1985
- Original language: English
- Number of items: 1
- Dimensions: 9.26" h x .79" w x 6.08" l, 1.24 pounds
- Binding: Paperback
- 414 pages
Review
To understand Edward Said's Beginnings is to understand what is most importantly going on in contemporary critical theory, both in America and Europe. An immensely useful book by one of our most brilliant critics.
(Richard Poirier)Readers...will be surprised, stimulated, instructed, impressed.
(The New Yorker)It is the sense of total independence and, at times, of prophetic vision which makes [Beginnings]... exhilarating.
(Times Higher Education Supplement) About the Author
Edward W. Said was one of the world's most celebrated, outspoken, and influential public intellectuals until his death in 2003. He is the author of more than twenty books, including Humanism and Democratic Criticism (Columbia, 2004), Freud and the Non-European (2003), Power, Politics, and Culture (2001), Culture and Imperialism (1993), and Orientalism (1979).
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Beginnings: A Fine Start
By Martin Asiner
Edward Said's first significant book Beginnings (1975) was his initial foray in unraveling the often convoluted role of the intellectual who seeks to comprehend the inner significance of the beginnings of human culture. The word "beginnings" defies a ready explanation as does its frequent synonym "origins." As defined by Said, a beginning has its roots in the cold clay of humanity while an origin is more esoteric, more heavenly, more divine. Human beings tend to integrate themselves into the life spaces of others as they choose how, when, and where they choose to assimilate. Divine beings, gods, goddesses, and other assorted preternatural entities tend to focus near the hub of culture, interacting only with themselves. Said suggests that human culture commences with a beginning rather than an origin. Whatever preceded a beginning is akin to what preceded the microdot singularity that produced the Big Bang. Meaning, movement, and motivation are products of one human interacting with another to form an ongoing and self-directing purpose. Such primitive beginnings take on an evolving symmetry of conflict which soon enough morphs into multi-functional possibilities. "Possibilities" is a catch-all term denoting the entire spectrum of human achievement, one small part of which is literary. The inner structure of culture has a built-in kinetic base that manifests itself in the spoken word. Edward Said insists that the genre best suited to authorize and legitimize the inevitably expanding web of culture is the novel. A novel permits its author considerable latitude to create meaning by using potentially transgressive language to elide into actually transgressive language, thus giving violent birth to the beginnings engendered by the title of his book. At this point, what was "begun" by this process no longer needs language to survive. What emerges from this womb of beginning is a paradigm of discovery, one that can be repeated ad infinitum. Opposing this creation of mini-universes of subversion is the implosion of force, of ideas, and of energy that typifies much of what passes for inbred and inbuilt specialization, all of which congealed into a roadblock prohibiting future beginnings. Edward Said asks critics not to look inward toward merely using language as a dress and dross covering non-functional ornaments of outdated tradition but rather to look outward seeking a constantly widening horizon of new beginnings pointing toward a future level of human achievement that requests but does not demand it.
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