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Jung on Active Imagination, by C. G. Jung
Download PDF Jung on Active Imagination, by C. G. Jung
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All the creative art psychotherapies (art, dance, music, drama, poetry) can trace their roots to C. G. Jung's early work on active imagination. Joan Chodorow here offers a collection of Jung's writings on active imagination, gathered together for the first time. Jung developed this concept between the years 1913 and 1916, following his break with Freud. During this time, he was disoriented and experienced intense inner turmoil --he suffered from lethargy and fears, and his moods threatened to overwhelm him. Jung searched for a method to heal himself from within, and finally decided to engage with the impulses and images of his unconscious. It was through the rediscovery of the symbolic play of his childhood that Jung was able to reconnect with his creative spirit. In a 1925 seminar and again in his memoirs, he tells the remarkable story of his experiments during this time that led to his self-healing. Jung learned to develop an ongoing relationship with his lively creative spirit through the power of imagination and fantasies. He termed this therapeutic method "active imagination."
This method is based on the natural healing function of the imagination, and its many expressions. Chodorow clearly presents the texts, and sets them in the proper context. She also interweaves her discussion of Jung's writings and ideas with contributions from Jungian authors and artists.
- Sales Rank: #243158 in Books
- Published on: 1997-07-07
- Original language: English
- Number of items: 1
- Dimensions: 8.93" h x .52" w x 6.13" l, .63 pounds
- Binding: Paperback
- 200 pages
Review
At last we have a collection of Jungs writings together in one clearly designed book. A valuable aid to research and writing on this important and creative Jungian subject. An outstanding contribution. - Shelia Powell, Training Analyst in Private Practice
Language Notes
Text: English (translation)
Original Language: German
From the Publisher
All the creative art psychotherapies (art, dance, music, drama, poetry) can trace their roots to C. G. Jung's early work on active imagination. Joan Chodorow here offers a collection of Jung's writings on the active imagination, gathered together for the first time. Jung developed this concept between the years 1913 and 1916, following his break with Freud. During this time, he was disoriented and experienced intense inner turmoil he suffered from lethargy and fears, and his moods threatened to overwhelm him. Jung searched for a method to heal himself from within, and finally decided to engage with the impulses and images of his unconscious. It was through the rediscovery of the symbolic play of his childhood that Jung was able to reconnect with his creative spirit. In a 1925 seminar and again in his memoirs, he tells the remarkable story of his experiments during this time that led to his selfhealing. Jung learned to develop an ongoing relationship with his lively creative spirit through the power of imagination and fantasies. He termed this therapeutic method "active imagination."
This method is based on the natural healing function of the imagination, and its many expressions. Chodorow clearly presents the texts, and sets them in the proper context. She also interweaves her discussion of Jung's writings and ideas with contributions from Jungian authors and artists.
Most helpful customer reviews
93 of 96 people found the following review helpful.
The Definitive Book on an Astonishing Subject
By David Sheppard
Jung on Active Imagination is a compilation of C. G. Jung's writings on the particular discipline called "active imagination." This book is the definitive individual work on the subject. Jung developed the technique during the years immediately following his split with Freud. It is not, as some suggest, a meditative technique but a method of actively engaging the imagination in pursuit of contents generally hidden within the unconscious. The book's editor, Jungian analyst Joan Chodorow PhD, has done a marvelous job of assembling all the relevant material from Jung's collected works. Chodorow also provides a marvelous, twenty-page introduction for those not familiar with active imagination. This then is a book that will be of value to both the Jungian professional and the interested layman, such as myself.
Active Imagination in and of itself is a discipline wherein the practitioner, after securing a secluded place of relative isolation, clears away a space within the psyche and then actively watches for images and listens for voices that originate spontaneously. The practitioner then focuses on the images and/or voices and attempts to engage these psychic entities in dialogue. The intention is to encounter psychic entities that come from within the practitioner's subconscious. Jung recognized two different aspects of the unconscious. The first, he termed the shadow, which has its origin in the repressed, culturally unacceptable, portion of the ego. The second, Jung termed the collective unconscious, which contains the inherited archetypes of human existence that ultimately create civilization. When the practitioner encounters entities from either aspect of the unconscious, he/she allows the entity to retain its autonomy as much as possible.
Generally, the practitioner of active imagination does so under the supervision of a professional Jungian therapist, particularly if trying to resolve some emotional difficulty. The technique is not without its risks, particularly if the practitioner's emotional stability is questionable. Jung recommended having a supportive environment before undertaking such a project. The goal of active imagination is to build a functional bridge from consciousness into the unconscious, which Jung terms the "transcendent function." This allows the individual to function more as a whole person and not be blind-sided by contents from the unconscious during daily life. The outcome of such an endeavor is to become more of a whole person, or in Jungian terminology, the process should lead to "individuation."
A common complaint among practitioners is that they feel as if they are "making stuff up," that the psychic entity's portion of the dialogue is not autonomous but under the practitioner's intellectual guidance. Some professionals (e.g. Murray Stein) say that if they feel as though they are making it up, they probably are and should concentrate more on allowing psychic entities more autonomy. But others (see Robert A. Johnson's Inner Work, page 151) (Inner Work: Using Dreams and Active Imagination for Personal Growth) take a more relaxed approach to active imagination, saying that "making it up" is fine, that the content still comes from the unconscious anyway. In any case, active imagination is an extraordinarily interesting subject that might be well worth looking into.
Anyone interested in active imagination will undoubtedly come to wonder about Jung's own experience with it, and whether he documented his ordeal. And indeed, such a book does exist and has been published only recently. It's titled The Red Book, (The Red Book) and it contains Jung's original handwritten script in German as well as the text translated into English. But Jung on Active Imagination is the place to start.
For the past year, I have myself practiced a version of active imagination (using this book and others) in the hopes of developing techniques for authors to more intensely and reliably contact their source of creativity. I have called the project the Iris of Time. I've survived it so far and found that exploring active imagination has changed somewhat the nature of my dreams and has enabled me to contact strange psychic forces within myself that have changed not only my view of myself but also my view of what constitutes the "real world." Active imagination is an important subject, and if you have any inclination at all to learn more about yourself and the world in which you live, you might want to pick up a copy of this book.
51 of 51 people found the following review helpful.
C.G. Jung on Active Imagination
By Matthew Gawel
I am a bit disappointed in the book. Not in its content or quality, but only because I already have these essays in other books that I have by C.G. Jung. That is the only reason why I give it three stars. I wish there would have been a table of contents that could be reviewed prior to purchasing the book, but at this time, there isn't.
Someone contacted me recently about the contents of the book so here are the essays as they appear in "Jung, On Active Imagination."
Confrontation with the unconscious. From: Memories, Dreams, Reflections. Chapter 6, pages 170-199.
The Transcendent Function. From: The Structure and Dynamics of the Psyche. Collected Works, Volume 8, paragraphs 131-193.
The technique of differentiation between the ego and figures of the unconscious. From: The relations between the ego and the unconscious, in Two Essays on Analytical Psychology. Collected Works, Volume 7, paragraphs 341-373.
Commentary on The Secret of the Golden Flower. Excerpts from: Alchemical Studies. Collected Works, Volume 13, paragraphs 17-45.
The aims of psychotherapy. From: The practice of psychotherapy. Collected Works, Volume 16, paragraphs 66-113.
A study in the process of individuation. Excerpts from: The Archetypes and the Collective Unconscious. Collected Works, Volume 9.1, paragraphs 525-626.
The Tavistock Lectures. Excerpts from: The Symbolic Life. Collected Works, Volume 18, paragraph 4 and paragraphs 390-415.
The psychological aspects of the Kore. Excerpts from: The Archetypes and the Collective Unconscious. Collected Works, Volume 9.1, paragraphs 319-334. (Note: Kore is pronounced Kori and it is defined as "The Maiden"; synonymous with Persephone or Proserpine, Queen of the Infernal Regions, wife of Pluto/Hades).
On the nature of the psyche. Excerpts from: The Structure and Dynamics of the Psyche. Collected Works, Volume 8, paragraphs 397-404.
Three letters to Mr. O. From: Letters, Volume 1, pages 458-461.
Mysterium Coniunctionis. Excerpts from: Collected Works, Volume 14, paragraphs 705-711.
Forward to van Helsdingen: Beelden uit het Onbewuste. From: The Symbolic Life. Collected Works, Volume 18, paragraphs 1252-1255.
24 of 25 people found the following review helpful.
Everyone should know Jung's work.
By Verita
As it is the basis for many of the philosophies we have today. Here is the man who investigated the ancient eastern and shamanic philosophies, melded them with his own psychological observations, and changed the course of western thought. The concept of active imagination, a way of tapping creative intuition and allowing inspiration to become conscious, has been tremendously influential and has been endlessly copied and written about. This is the source, or rather, the man who did the most to make these insights respectable within the western tradition. Important and relevant for any creative persons, those involved in meditation, and anyone interested in such subjects.
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